羞羞视频

Associate Professor Martin Patrick staff profile picture

Contact details +6449793522

Associate Professor Martin Patrick MA, MFA, PhD

Associate Professor

Doctoral Mentor Supervisor
School of Art

Dr Martin Patrick is an art critic and historian of contemporary visual art, performance, and cultural theory. He is a regular contributor to a wide variety of international publications. His books The Performing Observer: Essays on Contemporary Art, Performance and Photography (2023) and Across the Art/Life Divide: Performance, Subjectivity, and Social Practice in Contemporary Art (2018) are both published by Intellect Books/University of Chicago Press. Dr Patrick's research involves critically engaged writing on interdisciplinary practices and experimental uses of media. He has presented his work as a keynote speaker and panellist at public galleries and museums, conferences, and symposia.

Professional

Qualifications

  • Master of Arts - State University of New York (1996)
  • Master of Fine Arts - University of Texas at Austin (1993)
  • Doctor of Philosophy - University of Kent At Canterbury (2000)

Certifications and Registrations

  • Licence, Mentor Supervisor, 羞羞视频

Research Expertise

Research Interests

Art criticism and theory, performance art, socially engaged art, Fluxus movement, interdisciplinary practices,
modern and contemporary art, conceptual art, artists' writings, art and popular culture, art
of East-Central Europe, the history of photography, creative writing.

Area of Expertise

Field of research codes
Art History (190102): Art Theory and Criticism (190100): Fine Arts (incl. Sculpture and Painting) (190502): Lens-based Practice (190503): Performance and Installation Art (190504): Studies In Creative Arts And Writing (190000): Visual Arts and Crafts (190500)

Research Outputs

Journal

Patrick, M. (2021). Iconoclastic and Irreverent (Buddhist-inflected) Simplicity in Fluxus Performance and Artworks. OnCurating. (51), 150-164 Retrieved from https://www.on-curating.org/issue-51-reader/iconoclastic-and-irreverent-buddhist-inflected-simplicity-in-fluxus-performance-and-artworks.html
[Journal article]Authored by: Patrick, M.Edited by: Patrick, M.
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Gillam, J., Hansen, E., & Phillips, BE. (2021). The chronicle of <the archive fever dream team>. Drain. 17(1) Retrieved from http://drainmag.com/fever-dream/
[Journal article]Authored by: Gillam, J., Hansen, E.Edited by: Patrick, M.
Chubb, J., & Kay, J. (2021). Negative Mass. Drain. 17(1) Retrieved from http://drainmag.com/negative-mass/
[Journal article]Authored by: Kay, J.Edited by: Patrick, M.
Lee, KA., & Lau, F. (2021). We Share the Same Memories: Connecting with Hong Kong’s zine underground. Drain: SOCIAL/AFFECTS. Vol. 17(1) Retrieved from https://drainmag.com/we-share-the-same-memories-connecting-with-hong-kongs-zine-underground/
[Journal article]Authored by: Lee, K.Edited by: Patrick, M.
Patrick, M. (2021). Social Practices and the Shifting Discourse: On Collaborative Strategies and ‘Curating the Social’. Drain. 17(1) Retrieved from http://drainmag.com/social-practices-and-the-shifting-discourse/
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2017). Mover & Shaker. The New Zealand LIstener. Retreived from http://www.noted.co.nz/archive/listener-nz-2015/mover-shaker/
[Book Review]Authored by: Patrick, M.
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Patrick, MR. (2017). "The painting that made itself". Art News New Zealand. (Autumn 2017), 64-67 Retrieved from http://www.artnews.co.nz/autumn-2017/
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2016). Morphing Changeling: Cindy Sherman. Art News New Zealand. (Summer 2016)
[Journal article]Authored by: Patrick, M.
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Patrick, M. (2015). "Interview with Artist Catherine Bagnall". LAR MAGAZINE. 021(Peaceful Contents/ Winter Edition), 33-41 Retrieved from http://contentviewer.adobe.com/s/LARMAGAZINE/000140fd-c80b-5aca-83d6-5ff31f152ea3/021LARMAGAZINE/Article021_MartinPatrick.html
[Journal article]Authored by: Patrick, M.Contributed to by: Bagnall, C.
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Patrick, MR. (2015). Mercurial consistency: Billy Apple. Art Asia Pacific. (95), 82-91 Retrieved from http://artasiapacific.com/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). Simon Morris: Black Water Colour Painting 2015. Ilam Art School Gallery, University of Canterbury. , 1-14 Retrieved from http://www.arts.canterbury.ac.nz/fina/ilam_current.shtml
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2015). Wellington postcard. Art News New Zealand.
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). The conceptual, the pastoral, and the plainly freakish (or, some of my favourite artworks are trees). The Occasional Journal: The Dendromaniac. Retrieved from http://enjoy.org.nz/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2015). Yvonne Todd: Creamy psychology. Afterimage: The Journal of Media Arts and Cultural Criticism. 42(5) Retrieved from http://vsw.org/afterimage/issues/afterimage-vol-42-no-5/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). "Work, Rest, and Play: James R. Ford". Art Collector. (69 - July August September 2014), 142-149 Retrieved from http://www.artcollector.net.au/home
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). A Taste of Tonga: Thirteen artists are showcased in this group exhibition. The New Zealand Listener. 244(3866), 44-44 Retrieved from http://www.listener.co.nz/culture/art/a-taste-of-tonga/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). Art Review: Simon Starling: In Speculum. The New Zealand Listener. (3852) Retrieved from http://www.listener.co.nz/culture/art/art-review-simon-starling-in-speculum-city-gallery-wellington/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). Jump Cuts. The New Zealand Listener. (3856) Retrieved from http://www.listener.co.nz/culture/art/jump-cuts/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2014). A Procession of Chinese History. The New Zealand Listener. (3863) Retrieved from http://www.listener.co.nz/author/martin-patrick/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Moving on Asia: all the right moves. the New Zealand Listener. (3802) Retrieved from http://www.listener.co.nz/culture/art/moving-on-asia-all-the-right-moves/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Art: Transforming the everyday. The New Zealand Listener. (3805) Retrieved from http://www.listener.co.nz/culture/art-transforming-the-everyday/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Warhol: His 15 minutes and more. The New Zealand Listener. (3816) Retrieved from http://www.listener.co.nz/culture/art/small-town-nightmares/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Small-town nightmares. The New Zealand Listener. (3818) Retrieved from http://www.listener.co.nz/culture/art/small-town-nightmares/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Exhibition Review: All there is Left. The New Zealand Listener. (3824) Retrieved from http://www.listener.co.nz/culture/art/exhibition-review-all-there-is-left/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Drawing in Space. The New Zealand Listener. (3840) Retrieved from http://www.listener.co.nz/culture/art/john-panting-drawing-in-space/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Dead End. Aspect: The Chronicle of New Media Art. 21 Retrieved from http://www.aspectmag.org/
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2013). The Relational in Retrospect. Afterimage: the journal of media arts and cultural criticism. 41(2), 37-38Retreived from http://afterimage.carpe-datum.com/afterimage/articles/detail/534169
[Book Review]Authored by: Patrick, M.
Patrick, MR. (2013). It's the political economy, stupid the global financial crisis in art and theory: Martin Patrick on Gregory Sholette and Oliver Ressler's anthology. Art Monthly. (366) Retrieved from http://www.exacteditions.com/read/art-monthly/may-2013-35420/10/2/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Performing contagious bodies: Martin Patrick on Christopher Braddock's study of ritual in art. Art Monthly. (367), 33-33 Retrieved from http://www.exacteditions.com/read/art-monthly/june-2013-35902/44
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Books: Out of Time. Art New Zealand. (146), 86-87 Retrieved from http://www.art-newzealand.com/Noarticles/issue146.html
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2013). Chris Heaphy's kaleidoscopic eye. Art New Zealand. (144), 42-45 Retrieved from http://www.art-newzealand.com/Issue144/contents144.htm
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Robyn Kahukiwa's Maumahara: Remember. The New Zealand Listener. (3753) Retrieved from http://www.listener.co.nz/culture/art/robyn-kahukiwas-maumahara-remember/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). The Obstinate Object. The New Zealand Listener. (3760) Retrieved from http://www.listener.co.nz/culture/art/the-obstinate-object/
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Imagined Landscapes and Subterranean Simulacra. Afterimage: the journal of media arts and cultural criticism. 39(6), 42-43 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/534019
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Good Intentions: 18th Biennale of Sydney (2012). Afterimage: the journal of media arts and cultural criticism. 40(2), 2-3 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/534083
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2012). Leave no Trace: Performance Anxiety. Enjoy Gallery Online Publications. Retrieved from http://www.enjoy.org.nz/node/1156
[Journal article]Authored by: Patrick, M.
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Patrick, M. (2011). Convergences and crossovers: Lawrence Alloways incorporative criticism and the end of formalism. Sixties. 4(2), 151-169
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2011). Performative tactics and the choreographic reinvention of public space. Art & the Public Sphere. 1(1), 65-84 Retrieved from http://www.intellectbooks.co.uk/journals/view-Journal,id=195/
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2011). On the difficulties of "Work as Play": The video art of Robert Filliou. Afterimage: the journal of media arts and cultural criticism. 38(4), 20-23 Retrieved from http://www.vsw.org/ai/
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2010). "Try and try again: Richard Maloy". Broadsheet. 39(3), 190-192 Retrieved from http://www.cacsa.org.au/Broadsheet/Broadsheet.html
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2010). Unfinished Filliou: On the Fluxus ethos and the origins of relational aesthetics. Art Journal. 69(1-2), 44-61 Retrieved from http://connection.ebscohost.com/c/essays/51972958/unfinished-filliou-fluxus-ethos-origins-relational-aesthetics
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2010). Into the mystic: Maddie Leach's (im-)material world. Reading Room: A Journal of Art and Culture. 4, 168-175 Retrieved from http://www.aucklandartgallery.com/library/reading-room-journal/issue-4-2010-liquid-state
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2009). The Wanderer. Afterimage: the journal of media arts and cultural criticism. 37(3), 37-38 Retrieved from http://www.vsw.org/ai/
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2009). Milk and melancholy. Afterimage The Journal of Media Arts and Cultural Criticism. 36(5), 31-31 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/526593
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2009). American beauty. Afterimage The Journal of Media Arts and Cultural Criticism. 37(1), 45-46 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/526497
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2008). Shiny, unhappy people: The subject now. Afterimage The Journal of Media Arts and Cultural Criticism. 36(3), 23-24
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2007). La presse artistique au Royaume-Uni. Perspective: La revue de I'inha. 2, 318-321 Retrieved from http://www.inha.fr/spip.php?article1667
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2007). Snapshots from an indefinite vacation. Afterimage The Journal of Media Arts and Cultural Criticism. 34(6), 8-11 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/525992
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2006). "Exploding the Object". American Book Review. 27(5), 36-36 Retrieved from http://americanbookreview.org/issueContent.asp?id=7
[Journal article]Authored by: Patrick, M.
Patrick, MR. (2006). Eggleston on film. Afterimage The Journal of Media Arts and Cultural Criticism. 34(3), 49-52 Retrieved from http://afterimage.carpe-datum.com/afterimage/articles/detail/525991
[Journal article]Authored by: Patrick, M.
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Patrick, MR. (2006). Exploding the object. American Book Review. 27(5), 36-36 Retrieved from http://americanbookreview.org/issueContent.asp?id=7
[Journal article]Authored by: Patrick, M.
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Book

Patrick, M. (2023). Simon Morris's Walking Drawing: A response by Martin Patrick. In A. Lister (Ed.) Simon Morris: Room of Time. (pp. 60 - 67). Wellington, New Zealand: City Gallery Wellington
[Chapter]Authored by: Patrick, M.
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Patrick, M. (2023). Hope is Not About What We Expect. In M. Amery, A. Clausner, & S. Jerram (Eds.) Urgent Moments: Art and Social Change: The Letting Space Projects 2010-2020. (pp. 90 - 95). Auckland New Zealand: 羞羞视频 Press
[Chapter]Authored by: Patrick, M.
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Patrick, M.(2023). The Performing Observer: Essays on Contemporary Art, Performance and Photography. Bristol, United Kingdom: Intellect (UK)
[Authored Book]Authored by: Patrick, M.
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Patrick, M. (2020). Work, Rest, and Play. In Evaluating Things: James R Ford. Wellington NZ
[Chapter]Authored by: Patrick, M.
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Patrick, M. (2017). The Long White Cloud. In A. Hodge (Ed.) William Pope.L: The Long White Cloud. (pp. 9 - 15). Auckland: Te Tuhi
[Chapter]Authored by: Patrick, M.
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Patrick, MR.(2017). Across the Art/Life Divide: Performance, Subjectivity and Social Practices in Contemporary Art. Bristol, UK: Intellect Press Ltd
[Authored Book]Authored by: Patrick, M.
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Patrick, MR. (2017). Exploring Manifold Strategies of Posthuman Masquerade and Becoming. In C. Braddock (Ed.) "Animism in Art and Performance". (pp. 213 - 231). United Kingdom: Palgrave Macmillan
[Chapter]Authored by: Patrick, M.
Read Online:
Patrick, MR. (2016). "Is it the beginning of a new age?". : 羞羞视频 Engine Room
[Monograph]Authored by: Patrick, M.
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Patrick, MR. (2016). Craig Easton: The Means of Production. Shanghai: UNI Lab
[Monograph]Authored by: Patrick, M.
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Patrick, MR. (2016). "Getting Acquainted". In P. Cullen, A. Thomson, & T. Eccleston (Eds.) weakforce4. Auckland: split/fountain
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2016). "David Cross' Confounding Hybridity". In "Air Supplied: David Cross". (pp. 98 - 103). New York: Punctum Books
[Chapter]Authored by: Patrick, M.
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Patrick, MR. (2015). Shannon Te Ao: A Torch and A Light (Cover). In E. Phillips, Bruce, & . Lal, Rebecca (Eds.) Unstuck in Time. (pp. 52 - 60). Auckland: Te Tuhi Gallery
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2013). Tactual: David Cross. In . Castagnini, L, & V. McInnes (Eds.) Bureau 2. Melbourne, Australia: University of Melbourne, Margaret Lawrence Gallery, Victorian College of the Arts
[Chapter]Authored by: Patrick, M.
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Patrick, MR. (2010). Reconfigured Realities: On the recent work of John Di Stefano and Ann Shelton. Melbourne, Australia: RMIT University
[Monograph]Authored by: Patrick, M.
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Patrick, MR. (2010). Encounter. In D. Cross, & C. Doherty (Eds.) One Day Sculpture. (pp. 39 - 42). Germany: Kerber Verlag
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2010). Unreliable witness. In J. Booth, & H. Edmunds (Eds.) Workshopping Performance. (pp. 6 - 13). Wellington, New Zealand: Enjoy Public Art Gallery
[Chapter]Authored by: Patrick, M.
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Patrick, MR. (2009). On false leads readymades and seascapes. In D. Cross, & C. Doherty (Eds.) One Day Sculpture. (pp. 63 - 67). Germany: Kerber Verlag
[Chapter]Authored by: Patrick, M.
Patrick, MR. (2009). Craig Easton: collapse. Melbourne,Vic: Nelloe Castan Gallery
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2008). Room Room. Wellington, NZ: City Gallery Wellington
[Monograph]Authored by: Patrick, M.
Patrick, MR. (2006). Appropriation; Sophie Calle; Paul Virilio. In L. Warren (Ed.) Encyclopedia of 20th century photography. New York, NY, USA: Routledge
[Chapter]Authored by: Patrick, M.

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Creative Work

Waugh, S., Culy, H., Reddaway, R., Hansen, E., Gillam, J., Varga, J., . . . Patrick, M. (2020, December 7). Four Publications, some words. [Books, zines, photographic and other prints, live reading]. Wellington, New Zealand: The Engine Room, 7 Dec, 2020.
[Exhibition]Authored by: Gillam, J., Hansen, E., Patrick, M., Reddaway, R., Waugh, S.Contributed to by: Galloway, A.
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Galloway, A., Mechen, J., Geary, D., Contag, J., Siljee, M., Hanrahan, C., . . . Haley, L. (2019) Incredibly Hot Sex with Hideous People #70. [Exhibition] Various New Zealand libraries. Various Australasian retailers.
[Artwork]Authored by: Contag, J., Galloway, A., Patrick, M., Siljee, M.
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de France, E.(2016). "The Green Vessel".
[Film or Video]Contributed to by: Patrick, M.
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Patrick, MR. (2016, July 19). "Is it the beginning of a new age?". The Engine Room gallery, 羞羞视频, Wellington, NZ.
[Exhibition]Authored by: Patrick, M.
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Bagnall, C. (2016) The Misty's in their Animal Suits and Fur Muffs. [Exhibition] Is it the Beginning of a New Age (group exhibition curated by Martin Patrick), Engine Room, 羞羞视频 College of Creative Arts, Wellington, New Zealand
[Artwork]Authored by: Bagnall, C., Patrick, M.
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Patrick, MR. (2010). Double take/Time frame. The Engine Room, 羞羞视频, Wellington, New Zealand (04 Mar - 20 Mar).
[Exhibition]Authored by: Patrick, M.

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Thesis

Holloway-Smith, B. (2019). The Southern Cross cable : a tour : art, the internet and national identity in Aotearoa-New Zealand : an exegesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts, 羞羞视频, Wellington, New Zealand. (Doctoral Thesis, 羞羞视频, Wellington) Holloway-Smith, B. (2019). The Southern Cross cable : a tour : art, the internet and national identity in Aotearoa-New Zealand : an exegesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts, 羞羞视频, Wellington, New Zealand. (Doctoral Thesis)
[Doctoral Thesis]Edited by: Patrick, M.
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Conference

Patrick, M.Lessons from an art non-movement: Reconsidering humour, leisure, and play in Fluxus. . 羞羞视频, Wellington, Aotearoa New Zealand
[Conference Paper]Authored by: Patrick, M.
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Patrick, M.Iconoclastic and Irreverent (Buddhist-inflected) Simplicity in Fluxus Performance and Artworks. . University of Dundee, Dundee Scotland UK
[Conference Paper]Authored by: Patrick, M.
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Patrick, MR. (2017). "Emergent Notions of Subjectivity and Authorship: How Might We Occupy the Present?". In Performing Writing: A Symposium in Four Turns(pp. 58 - 58). , Performing Writing Wellington: 羞羞视频
[Conference Abstract]Authored by: Patrick, M.
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Patrick, MR.Exploring manifold strategies of 'posthuman' masquerade and becoming in recent art practice. . AUT University, Auckland, NZ
[Conference Paper]Authored by: Patrick, M.
Patrick, MR."Wild Gift: X's Punk Poeticism". . 羞羞视频, Wellington New Zealand
[Conference Paper]Authored by: Patrick, M.
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Patrick, MR. (2012, February). Fluxus 2.0: On the Future Prospects of a now historic nonmovement. Presented at College Art Association Annual Conference 2012. Los Angeles.
[Conference Oral Presentation]Authored by: Patrick, M.
Patrick, MR. (2012). Art and how to live it: Artists performing themselves (and others). Presented at AAANZ Annual Conference. Sydney, Australia.
[Conference Oral Presentation]Authored by: Patrick, M.
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Patrick, MR. (2010, June). Performative interventions and the redefinition of public space. Presented at PSi16: Performing publics. Ontario College of Art and Design, Toronto, ON, Canada.
[Conference Oral Presentation]Authored by: Patrick, M.
Patrick, MR. (2009). I'm looking through you: on Lawrence Alloway, expansionists aesthetics, and the demise of formalism. In College Art Association 97th Annual Conference 2009(pp. 80 - 80). : College Art Association
[Conference Abstract]Authored by: Patrick, M.
Patrick, MR.(2009). Unfinished filliou: on the fluxus ethos and the origins of relational aesthetics. . Zagreb, Croatia
[Conference Paper]Authored by: Patrick, M.
Patrick, MR. (2009). Unfinished filliou: on the fluxus ethos and the origins of relational aesthetics. In Performance Studies International Conference 15:(pp. 25 - 25). : Centre for Drama Arts, Zagreb
[Conference Abstract]Authored by: Patrick, M.

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Other

Patrick, M. (2021). "Pop Problematics (or, the Customer Might Just Be Wrong)". : Christchurch Art Gallery Te Puna o Waiwhet奴
[Internet publication]Authored by: Patrick, M.Contributed to by: Patrick, M.
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Patrick, M. (2020). ‘My life is one big experiment’: Laurie Anderson on the power of art and terriers. : The Spinoff
[Internet publication]Authored by: Patrick, M.Contributed to by: Patrick, M.
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Patrick, M. (2020). "Everything has Changed".
[Internet publication]Authored by: Patrick, M.Contributed to by: Patrick, M.
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Patrick, M. (2019). The past is a fucked up place: Theo Schoon, reviewed and reconsidered. : The Spinoff
[Internet publication]Authored by: Patrick, M.
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Patrick, M. (2018). Reorientations. : Play_Station gallery
[Internet publication]Authored by: Patrick, M.Contributed to by: Patrick, M.
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Patrick, M., & Bagnall, C. (2016). name of work on cover. : LAR Magazine.021 Peaceful Context
[Internet publication]Authored by: Bagnall, C., Patrick, M.Contributed to by: Bagnall, C.
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Patrick, MR. (2016). Summer Reading Series #3: On Mike Heynes: video art, animation, and activist critique. : Circuit: Artist Film and Video Aotearoa New Zealand
[Internet publication]Authored by: Patrick, M.
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Patrick, MR., & Bagnall, C. (2015). "Interview with Catherine Bagnall". : LAR Magazine (Mexico)
[Internet publication]Authored by: Bagnall, C., Patrick, M.
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Patrick, MR., Kilford, A., & Ting, M. (2015). Echoes, Signs, Disruptions.
[Other]Authored by: Kilford, A., Patrick, M.
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Patrick, MR. (2015). Watching Sean Grattan's HADHAD.
[Internet publication]Authored by: Patrick, M.
Patrick, MR. (2015, May). When the Sh*t Hits the Fans: The Uneasy Relationship Between Celebrity Culture and Contemporary Art..
[Oral Presentation]Authored by: Patrick, M.
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Patrick, MR. (2014). Erica van Zon: Dogwood Days. Dunedin Public Art Gallery
[Other]Authored by: Patrick, M.
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Patrick, MR. (2013). Grove Art Online: biographical entries on artists Tino Sehgal and Francis Alys. : Oxford Art Online; Grove Art Online
[Internet publication]Authored by: Patrick, M.
Patrick, MR. (2011). Contributions to eyeContact, Auckland, NZ. eyeContact
[Other]Authored by: Patrick, M.
Patrick, MR. (2011). Shona Macdonald: Around. (pp. 1 - 4). Roswell Museum and Art Center
[Other]Authored by: Patrick, M.
Patrick, MR. (2011). The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes. (pp. 34 - 34). Britannia Art Publications Ltd.
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Restlessness and reception: Transforming art criticism in the age of the blogosphere. (pp. 1 - 15).
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Haunted. Britannia Art Publications Ltd.
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Restlessness and reception: Transforming art criticism in the age of the blogosphere. (pp. 1 - 15). Drain Magazine
[Other]Authored by: Patrick, M.
Patrick, MR. (2010). Double take/Time frame. (pp. 1 - 3). School of Fine Arts, 羞羞视频
[Other]Authored by: Patrick, M.
Patrick, MR. (2009). Billy Apple.
[Other]Authored by: Patrick, M.
Patrick, MR. (2009). Simon Morris: Folding water. (pp. 1 - 2). Two Rooms, Auckland, NZ
[Other]Authored by: Patrick, M.
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Cross, DA., Noble, AL., Shelton, AM., Morris, SM., Leach, ML., & Patrick, MR. (2009). Research presentation. Presented at Wellington, NZ.
[Oral Presentation]Authored by: Morris, S., Patrick, M.
Patrick, MR. (2009). One day/night stand. (pp. 136 - 136). AGM Publishing Ltd, Auckland, NZ
[Other]Authored by: Patrick, M.
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Patrick, MR. (2008). Maddie Leach #11: A critical response. (pp. 1 - 5). 羞羞视频
[Other]Authored by: Patrick, M.
Patrick, MR. (2008). Sydney biennale: revolutions - forms that turn. (pp. 20 - 22). Britannia Art Publications Ltd
[Other]Authored by: Patrick, M.
Read Abstract: abstract icon
Patrick, MR. (2008, November). (Re-)defining criticism today. In General Public. Presented at Wellington, NZ.
[Oral Presentation]Authored by: Patrick, M.
Read Abstract: abstract icon
Patrick, MR., & Badani, P. (2008). Pat Badani [in time time]. (pp. 1 - 5). Illinois , USA
[Other]Authored by: Patrick, M.
Read Abstract: abstract icon
Patrick, MR., Cross, DA., Leach, ML., Diggle, JH., & Agnihotri Clark, DJ. (2008, November). (Re-) defining criticism today. In BLOW Creative Arts Festival, College of Creative Arts 羞羞视频. Presented at 羞羞视频, New Zealand.
[Oral Presentation]Authored by: Patrick, M.
Patrick, MR., & Foster, J. (2007). Johnston Foster. (pp. 1 - 4). Illinois, USA
[Other]Authored by: Patrick, M.
Read Abstract: abstract icon
Patrick, MR. (2006). Apparitions:Art/Life Games and the Politics of Play in the Work of Matthieu Laurette. Drain
[Other]Authored by: Patrick, M.
Read Abstract: abstract icon
Patrick, MR. (2006). Paul Virilio. (pp. 1618 - 1619). Routledge Taylor Francis Group
[Other]Authored by: Patrick, M.
Patrick, MR. (2006). Appropriation. (pp. 46 - 49). Routledge/Taylor and Francis Group
[Other]Authored by: Patrick, M.
Patrick, MR. (2006). Sophie Calle. (pp. 207 - 210). Routledge/Taylor and Francis Group
[Other]Authored by: Patrick, M.
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Teaching and Supervision

Contact Supervisor

Summary of Doctoral Supervision

Position Current Completed
Main Supervisor 3 4
Co-supervisor 2 3

Current Doctoral Supervision

Main Supervisor of:

  • Mike Ting - Doctor of Philosophy
    Between Thresholds - Subjectivity, Hybridity, and Emancipation
  • Peter Simpson - Doctor of Philosophy
    Improvisation as a self-analytical methodology for a M膩ori Art practice.
  • Erica Sklenars - Doctor of Philosophy
    Navigating Agency of Perception within the Virtuality Continuum

Co-supervisor of:

  • Ted Mills - Doctor of Philosophy
    No Place As Home - Using Experimental Performance and Video to Explore City Narratives as an Emigrant Artist
  • Sasha Chen - Doctor of Philosophy
    Re-enacting autobiographical memory - life and death in the context of the post-covid19 era through performance photography

Completed Doctoral Supervision

Main Supervisor of:

  • 2023 - Johanna Mechen - Doctor of Philosophy
    Last Skye Boat Song The Essay Film in a Maternal Landscape: Transitional Phenomena in Photographic Practice in Aotearoa.
  • 2022 - Chang Xu - Doctor of Philosophy
    'Teaching without Teaching': Critically Exploring the Involvement of Visual Artists in Children's Art Classes in Art Museums of New Zealand
  • 2021 - Michael Heynes - Doctor of Philosophy
    Video Activism in the Shadow of Wellywood
  • 2021 - Jill Sorensen - Doctor of Philosophy
    Between Elsewhere and Away: Small Acts of Cohabitation

Co-supervisor of:

  • 2023 - Madaleine Trigg - Doctor of Philosophy
    From Dough to Wheat: A Posthuman Performance Practice with Companion Species
  • 2019 - Bronwyn Holloway-Smith - Doctor of Philosophy
    The Southern Cross Cable: A Tour: Art, the internet and national identify in Aotearoa New Zealand
  • 2017 - Tim Barlow - Doctor of Philosophy
    Caring Deception: Community art in the suburbs of Aotearoa (New Zealand)

Media and Links

Media

  • 13 Nov 2013 - Newspaper
    Relish the diversity of taste around fine things
    My comments cited by art critic Mark Amery in the Dominion Post newspaper
  • 01 Oct 2018 - Radio, Online
    Open Stacks Podcast, Seminary Co-op Bookstore, USA
    Interviewed for the Open Stacks podcast affliliated with the Seminary Co-op Bookstore, University of Chicago, USA. "On this episode of Open Stacks, we pave new roads not taken, trajectories informed b