Journal
Baird, K. (2024). The exploitation, repatriation, and memorialisation of human remains: An artist’s experiences.
Memory Connection. 4(1), 87-95 Retrieved from https://memoryconnection.org/article/the-exploitation-repatriation-and-memorialisation-of-human-remains-an-artists-experiences/
[Journal article]Authored by: Baird, K.Read Abstract:
Baird, K. (2020). The Past We Harvest that was Yours’: The Rhetoric of National Identity and the Legacy of the Unknown Warrior in New Zealand Memory.
Bulletin of the Auckland Museum. 21(The Enduring Impact of the First World War: A Collection of Perspectives), 19-26 Retrieved from https://www.aucklandmuseum.com/discover/research/publications/bulletin/vol21
[Journal article]Authored by: Baird, K.Edited by: Baird, K.Read Online:
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Phillips, J., & Baird, K. (2020). Centenary of the First World War in New Zealand.
1914-1918-online. International Encyclopedia of the First World War. , 1-28 Retrieved from https://encyclopedia.1914-1918-online.net/article/centenary_new_zealand
[Journal article]Authored by: Baird, K.Read article at Massey Research Online:
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Baird, KW. (2021). Naming Rights: Conflict, Coexistence, and Restoration in the Memorial Landscape of New Zealand's Capital City.
Militargeschichtliche Zeitschrift. 78(1), 1-18
[Journal article]Authored by: Baird, K.Read Online:
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Baird, K. (2019). Hokopanopano Ka Toi Moriori (reigniting Moriori Arts): memory work on R膿kohu (Chatham Islands).
Memory Connection. 3(1), 262-287 Retrieved from http://memoryconnection.org/wp-content/uploads/2019/03/Memory-Connection_30MB.pdf
[Journal article]Authored by: Baird, K.Read Abstract:
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Baird, K. (2019). Naming rights: conflict, coexistence, and restoration in the memorial landscape of New Zealand’s capital city.
Militärgeschichtliche Zeitschrift. 78(1), 1-18 Retrieved from https://www.degruyter.com/view/journals/mgzs/78/1/mgzs.78.issue-1.xml
[Journal article]Authored by: Baird, K.Read Online:
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Baird, K., & Phillips, J. (2019). Centenary (New Zealand).
1914-1918-online – International Encyclopedia of the First World War. , Retrieved from https://encyclopedia.1914-1918-online.net/article/centenary_new_zealand
[Journal article]Authored by: Baird, K.Read Online:
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Baird, KW. (2016). Review: Drowned/undrowned, Sally J. Morgan and Jess Richards.
Journal of Asia-Pacific Pop Culture. 1(1), 115-120
[Journal article]Authored by: Baird, K.Baird, KW. (2016). A cast of thousands: 'Stela' at Militärhistorisches Museum der Bundeswehr, Dresden.
Memory Connection. 2(1), 43-67 Retrieved from http://memoryconnection.org/journals/memory-connection-vol-02/
[Journal article]Authored by: Baird, K.Read Abstract:
Baird, K. (2016). Photo essay: Sensing memory.
Memory Studies. 9(1), 99-106
[Journal article]Authored by: Baird, K.Read Online:
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Laviolette, P., & Baird, K. (2011). Lost innocence and land matters.
European Journal of English Studies. 15(1), 57-71
[Journal article]Authored by: Baird, K.Read Online:
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Book
Baird, K. (2022). Piet Chielens, In Flanders Fields Museum, and the local and global commemoration of the First World War. In D. Dendooven, & P. Trogh (Eds.)
Nous irons en Flandres: Festschrift voor Piet Chielens. (pp. 205 - 222). Ypres, Belgium: In Flanders Fields Museum
[Chapter]Authored by: Baird, K.Baird, K. (2021). Annette Becker et les « trous profonds » de la mémoire et de l’histoire” (“Annette Becker and the ‘deep holes’ of memory and history”). In A. Brazzoduro, K. Daimaru, & F. Théofilakis (Eds.)
Faire l’historire des violences en guerre: Annette Becker, un engagement. (pp. 241 - 253). Saint-Étienne, France: Créaphis éditions
[Chapter]Authored by: Baird, K.Baird, K. (2021). Memorial Chairs and Transitory Fictive Kinship in the Centenary Commemoration of the End of the First World War. In S. Sumartojo (Ed.)
Experiencing 11 November 2018: Commemoration and the First World War Centenary. (pp. 136 - 147). Abingdon, Oxon: Routledge
[Chapter]Authored by: Baird, K.Abraham, B., Baird, K., Bennington, D., Crawford, J., Epkenhans, M., Gough, P., . . . Watters, S. (2020).
The enduring impact of the First World War: a collection of perspectives, Bulletin of the Auckland Museum 21, 2020. G. Romano, & K. Baird (Eds.) (Vol. 21 (2020)) ,Auckland: Auckland War Mmeorial Museum T膩maki Paenga Hira
[Scholarly edition]Authored by: Baird, K., Moore, M.Contributed to by: Baird, K.Edited by: Baird, K.Read Abstract:
Baird, K. (2019). Exhibiting Spectacle and Recasting Memory: Commemorating the First World War in New Zealand. In L. Macaluso (Ed.)
Monument Culture: International Perspectives on the Future of Monuments in a Changing World. Lanham, Maryland, United States of American: Rowman & Littlefield Publishers and the American Association for State and Local History
[Chapter]Authored by: Baird, K.view more...
Abbenhuis, M., Atkinson, N., Baird, K., & Romano, G. (Eds.) (2018).
The Myriad Legacies of 1917: A Year of War and Revolution. London. UK: Palgrave Macmillan
[Edited Book]Edited by: Baird, K.Read Online:
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(2018).
The myriad legacies of 1917: A year of war and revolution.
[Edited Book]Authored by: Baird, K.Read Online:
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Baird, KW. (2014). The material of remembrance: Their name liveth for evermore?. In D. Monger, S. Murray, & K. Pickles (Eds.)
Endurance and the First World War. (pp. 263 - 283). Cambridge, United Kingdom: Cambridge Scholars Publishing
[Chapter]Authored by: Baird, K.Read Abstract:
Baird, KW. (2013).
In memoriam: le présent and the absent. : 羞羞视频, Wellington, New Zealand, and Historial de la Grande Guerre, Peronne, France
[Monograph]Authored by: Baird, K.Read Abstract:
Baird, KW., Winter, JM., & Becker, A. (2013).
Tomb, Kingsley Baird: Artist in residence at Historial de la Grande Guerre. : 羞羞视频, New Zealand, Historial de la Grande Guerre
[Monograph]Authored by: Baird, K.Edited by: Baird, K.Read Abstract:
Baird, KW. (2013). The consolation of the familiar. In N. Philippe, C. Pugsley, J. Crawford, & M. Strohn (Eds.)
The great adventure ends: New Zealand and France on the Western Front. (pp. 391 - 405). Christchurch, New Zealand: John Douglas Publishing
[Chapter]Authored by: Baird, K.Baird, K. (2012). Patterns of Ambivalence: The Space between Memory and Form. In
Rhetoric, Remembrance, and Visual Form: Sighting Memory. (pp. 113 - 127).
[Chapter]Authored by: Baird, K.Read Online:
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Baird, K. (2012). Patterns of ambivalence: The space between memory and form. In
Rhetoric, Remembrance, and Visual Form: Sighting Memory. (pp. 113 - 127).
[Chapter]Authored by: Baird, K.Read Abstract:
Baird, K. (2011). Patterns of ambivalence: The space between memory
and form. In AT. Demo, & B. Vivian (Eds.)
Rhetoric, remembrance, and visual form: Sighting memory. (pp. 113 - 127). New York: Routledge
[Chapter]Authored by: Baird, K.Read Abstract:
Baird, K. (2010).
Serve: a new recipe for sacrifice. P. Chielens (Ed.)Waiouru, NZ: National Army Museum
[Monograph]Authored by: Baird, K.Read Abstract:
Baird, K. (2007).
Diary Dagboek: 2007 Artist in Residence In Flanders Fields Museum. P. Chielens (Ed.)Ypres, Belgium: In Flanders Fields Museum ISBN-13:9789077025031
[Monograph]Authored by: Baird, K.Read Abstract:
Baird, KW., Chielens, P., & Harper, G.(2007).
Dagboek. Ypres, Belgium: In Flanders Fields Museum
[Authored Book]Authored by: Baird, K.view less...
Creative Work
Baird, K. (2018)
From the Uttermost Ends of the Earth (The Great Adventure). [Exhibition] In Flanders Fields Museum, Ieper, Belgium
[Artwork]Authored by: Baird, K.Read Abstract:
Baird, KW. (2017)
The Anzac Pair. [Exhibition] Comprised 2 linked manifestations of the same research investigation: (i) an exhibition, "The Anzac Pair", National Army Museum Te Mata Toa, Waiouru, New Zealand, 7.8.2017-24.11.2017, composed of two sculptures: "Gallipoli" (500 mm [l] (variable) x 350 mm [w] x 230 [h]) and "Birth of a nation" (500 mm [l] (variable) x 320 mm [w] x 180mm [h]), bronze; and (ii) an exhibition catalogue essay: "The Anzac Pair: an allegory of national identity". In Baird, K.W. (ed), "The Anzac Pair". Waiouru, New Zealand: National Army Museum Te Mata Toa and Wellington: 羞羞视频, pp. 6-33. Contributing authors: Ian McGibbon, Peter Stanley, and Kingsley Baird. Foreword by Windsor Jones, Senior Curator, National Army Museum Te Mata Toa. 55 pp. ISBN 978-0-473-40998-2
[Artwork]Authored by: Baird, K.Contributed to by: Baird, K.Edited by: Baird, K.Baird, KW. (2017).
"The Anzac Pair" – comprising:
1 Exhibition + 1 Edited volume + Edited volume essay
1. Exhibition
Baird, K.W. (2017). "The Anzac Pair". National Army Museum Te Mata Toa, Waiouru, New Zealand. Two sculptures: "Gallipoli": 500 mm (l) (variable) x 350 mm (w) x 230 (h); "Birth of a nation": 500 mm (l) (variable) x 320 mm (w) x 180mm (h). Bronze. 07 August – 24 November 2017.
2. Edited volume essay
Baird, K.W. (2017). "The Anzac Pair: an allegory of national identity". In K. Baird, "The Anzac Pair". Waiouru, New Zealand: National Army Museum Te Mata Toa, Wellington: 羞羞视频, pp. 6-33.
3. Edited volume ("The Anzac Pair" exhibition catalogue)
Baird, K.W. (2017) (ed). "The Anzac Pair". National Army Museum Te Mata Toa, Waiouru, New Zealand / 羞羞视频, Wellington, New Zealand, 55 pp. Contributing authors: Ian McGibbon, Peter Stanley, and Kingsley Baird.. ISBN 978-0-473-40998-2.
[Exhibition]Authored by: Baird, K.Baird, KW. (2015, May 31).
Gallipoli. (No. of Pieces: 1) [Bronze]. Pataka Art + Museum, Porirua, New Zealand.
[Exhibition]Authored by: Baird, K.Read Abstract:
Baird, KW. (2014)
Stela. [Exhibition] Comprised 2 linked manifestations of the same research investigation, an installation and essay. The installation, "Stela", Militärhistorisches Museum der Bundeswehr (MHM [Military History Museum]), Dresden, Germany, introduced MHM's WWI centenary exhibition, “14 – Menschen – Krieg” and included (i) the stainless steel "Cenotaph" sculpture (1800mm [h] x 1800mm [l] x 540mm [w]); (ii) the design of multiple cookie cutter soldier shapes used to form the biscuits (approx. 7 mm [h] x 175 mm [l] x 60 mm [w]); (iii) a performance of the biscuit stacking; (iv) the biscuit ‘memorial’ comprising approx. 20,500 edible WWI soldier-shaped Anzac recipe biscuits. 12.7–27.7.2014. The essay, "Stela - Im Tod sind alle Kameraden". In G. Bauer, M. Rogg, and G. Pieken (eds), “14 – Menschen – Krieg": Essays (zur Ausstellung zum Ersten Weltkrieg)”. Dresden: Sandstein Verlag, 230-239. MHM. "Cenotaph", stainless steel cookie cutters, and various biscuits are in the MHM Collection
[Artwork]Authored by: Baird, K.view more...
Baird, KW. (2013)
Tomb. [Exhibition] Comprised 2 linked manifestations of the same research investigation, an installation and essay. The installation, "Tomb", Historial de la Grande Guerre, Péronne, France, 23.4.2013-24.11.2013, included (i) the design of multiple cookie cutter soldier shapes; (ii) a performance of stacking the biscuits over 20 days; (iii) the biscuit ‘memorial’ (3500 mm [l] x 1060 mm [h] x 862 mm [w]) in the form of Sir Edwin Lutyens’s Stone of Remembrance (c. 18,600 WWI soldier-shaped biscuits: 7 mm [h] x 175 mm [l] x 60 mm [w]). The catalogue essay, "In memoriam: Le présent et l'absent / In memoriam: The present and the absent", pp. 23-46. In Baird, K.W. (ed.). "Tomb Kingsley Baird: Artist in Residence at Historial de la Grande Guerre". Péronne, France: Historial de la Grande Guerre. French / English. 62 pages. Contributing authors: Jay Winter, Annette Becker, Kingsley Baird. Foreword by Hervé François, Director, Historial de la Grande Guerre. ISBN: 978-0-473-25457-5
[Artwork]Authored by: Baird, K.Read Abstract:
Baird, K. (2013, April 23).
Tomb. (No. of Pieces: 1) [Performance -Installation: Construction of some 18,600 biscuits shaped like soldiers, stacked horizontally one on top of the other.]. Historial de la Grande Guerre, Péronne, France.
[Exhibition]Authored by: Baird, K.Read Abstract:
Baird, KW., & Packer, G. (2012)
Reflections. [Exhibition] [Felt, canvas, bronze, mixed media. Dimensions: 1200 mm (h) x 3200 mm (l) x 300mm (d) (variable). The structure contains 8 human body-scale, ‘protective containers’ or pockets that are internally ‘adorned’ with ‘portable’ art and craftwork 'panels' (each 700 mm [h] x 350 mm [l])]. Chi an Bobel Great Hall, Heartlands, Robinson's Shaft, Pool, Cornwall, United Kingdom
[Artwork]Authored by: Baird, K.Read Abstract:
Baird, KW. (2011).
Hinaki [Artefact]. : Havelock North, NZ
[Artefact]Authored by: Baird, K.Baird, KW. (2010).
Serve: a new recipe for sacrifice. [The exhibition comprises 2 sculptures, 'Picnic' and 'Serve'. 'Picnic': 13 steel WWI mess tin replicas, ANZAC soldier cookie cutters, soldier Anzac biscuits, gold leaf. Serve: One 6.5m wooden trestle table, 13 bronze WWI 'Brodie' helmets, silver leaf, iron oxide]. National Army Museum, Waiouru, New Zealand (26 Nov 2010 - 27 Feb 2011).
[Exhibition]Authored by: Baird, K.Baird, KW. (2010).
Todd Cog Medallion [Artefact]. : Wellington, New Zealand
[Artefact]Authored by: Baird, K.Read Abstract:
Baird, KW. (2010).
Cogg: Todd Corporation Medallion 125 years [Artefact]. : Wellington, NZ
[Artefact]Authored by: Baird, K.Baird, K. (2008).
“Investigation in scale: Reliquary”. [Artefact]. : Shapeshifter 2008: Essential New Zealand Sculpture, Civic Gardens, Lower Hutt, New Zealand (22 Feb - 16 Mar)
[Artefact]Authored by: Baird, K.Read Abstract:
Baird, K. (2008).
Investigation in scale: Pro Deo et Patria [Artefact]. : Shapeshifter 2008: Essential New Zealand Sculpture, Civic Gardens, Lower Hutt, New Zealand (22 Feb - 16 Mar)
[Artefact]Authored by: Baird, K.Read Abstract:
Baird, KW. (2008).
Investigation in scale: Pro Deo et Patria [Artefact].
[Artefact]Authored by: Baird, K.Baird, KW. (2008).
Investigation in scale: Reliquary [Artefact].
[Artefact]Authored by: Baird, K.Baird, KW. (2007).
Diary dagboek [Artefact]. In Flanders Fields Museum: In Flanders Fields Museum, Ieper (Ypres), Belgium (13 Jul - 14 Oct)
[Artefact]Authored by: Baird, K.Baird, K. (2006).
Pro Deo Et Patria: Assumption [Artefact]. : Exhibited in Shapeshifter 2006: Essential New Zealand Sculpture, Frederic Wallis House, Lower Hutt, NZ
[Artefact]Authored by: Baird, K.Read Abstract:
Baird, KW. (2006).
Pro Deo et Patria (Assumption) [Artefact].
[Artefact]Authored by: Baird, K.Baird, KW. (2006).
The Cloak of Peace - Te Korowai Rangimarie [Artefact]. : Nagasaki Peace Park, Nagasaki, Japan
[Artefact]Authored by: Baird, K.Read article at Massey Research Online:
O'Sullivan, AM., & Baird, KW. (2006).
The Cloak of Peace - Te Korowai Rangimarie. : Kingsley Baird / Peace Foundation: Nagasaki Peace Park, Japan
[Design]Authored by: Baird, K.Baird, KW.
Hinaki [Artefact]. : Havelock North, Hawkes Bay, New Zealand
[Artefact]Authored by: Baird, K.Read Abstract:
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Conference
Baird, K. (2023, December). Monument: Re-envisioning an artefact of the New Zealand Wars. Presented at
Space, knowledge, empire. Auckland War Memorial Museum, T膩maki Paenga Hira.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K. (2021, March). Attending to wounds: Faces, minds, and landscapes maimed by weapons of war. Presented at
Weapons, Wounds, Warfare. The University of Auckland.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K. (2018, November). The surface and the underworld: art, myth, history, and remembrance in New Zealand and French experience of the Great War. Presented at
Le Quesnoy Centenary Conference 1918-2018: France and New Zealand during the Great War, University of Waikato and the Le Quesnoy City Council. Le Quesnoy, France.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K.
The surface and the underworld: art, myth, history, and remembrance in New Zealand and French experience of the Great War. . Le Quesnoy, France
[Conference Paper]Authored by: Baird, K.Baird, KW. (2017, April). The past we harvest that was yours': The rhetoric of national identity and the legacy of the Unknown Warrior in New Zealand memory. Presented at
The myriad faces of war: 1917 and its legacy. Wellington, New Zealand.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
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Baird, KW.
The past we harvest that was yours: The rhetoric of national identity and the legacy of the Unknown Warrior in New Zealand memory. . Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand. 25 - 28 April 2017
[Conference Paper]Authored by: Baird, K.Read Abstract:
Baird, KW. (2016, December). Anzac mythology, revisionism, and remembrance in the work of art. Presented at
Art Association of Australia and New Zealand Annual Conference. ANU, Canberra, Australia. 1 - 3 December 2016.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2016, May). Hokopanopano Ka Toi Moriori (reigniting Moriori Arts): Memory work on R膿kohu (Chatham Islands). Presented at
Memory Works. Syracuse University, New York City, USA. 19 - 21 May 2016.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2015, December). Naming rights: conflict, coexistence, and restoration in a memorial landscape. Presented at
Memory and commemoration: War, military, society and the politics of naming in the 20th century. Zentrum für Militärgeschichte und Sozialwissenschaften der Bundeswehr (ZMSBw; Center for Military History and Social Sciences of the German Army), Potsdam, Germany. 2 - 3 December 2015.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2014, October). A cast of thousands: Stela at Militärhistorisches Museum der Bundeswehr, Dresden. Presented at
The Cultures of Memory II Symposium. York, United Kingdom.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2013, October). Surfacing memory. Presented at
The Cultures of Memory Symposium 2013. Syracuse University, London, United Kingdom. 16 - 19 October 2013.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2013, April). The enlightenment trinity. College of Creative Arts, 羞羞视频 and Material Culture Group, Department of Anthropology, University College London, UK. Presented at
The First Encounter: A Properties/Material World Lab Symposium. The First Encounter: A Properties/Material World Lab Symposium. 30 April 2013.
[Conference Oral Presentation]Authored by: Baird, K.Baird, KW. (2012, November). The material of remembrance. Presented at
Endurance and the First World War International Conference. Christchurch, New Zealand.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2012, April). Sensory memorialization. Presented at
Fifth Annual Interdisciplinary Memory Conference: The Arts of Memory. New School, New York, United States of America. 26 - 27 April 2012.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K. (2011, April). Heartlands Snap-shots: Social research, cohesion & distinctiveness. Presented at
Creative Conversations: Art, Culture & Society” Symposium, Heartlands Project. Pool, Cornwall, UK.
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K.(2010, April 15). Ebb and flow: The story of a beach. In
Abstract published in proceedings, NZILA 2010 Conference: The Power of Landscape
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, K. (2010). Ebb and flow: The story of a beach. In
Abstract published in proceedings, NZILA 2010 Conference: The Power of Landscape
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, K. (2010, July). Co-existence and conflict in a memorial landscape. Presented at
New Zealand Geographical Society Conference 2010 with the Institute of Australian geographers (IAG). Christchurch, New Zealand (05 Jul - 08 Jul).
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K.(2010, July 5). Co-existence and conflict in a memorial landscape. In
Abstract published in proceedings, NZ Geographical Society Conference 2010 with the Institute of Australian geographers (IAG)
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, KW.(2009, November 26). Serve: A new recipe for sacrifice. , Art Association of Australia and New Zealand Annual Conference
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, KW. (2009). Serve: A new recipe for sacrifice. , Art Association of Australia and New Zealand Annual Conference
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, KW. (2009). Catching my gaze: arenas of exchange in forms of public memory. Presented at
One Day Sculpture, an International Symposium on Art, Place and TIme. Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand (26 Mar - 28 Mar).
[Conference Oral Presentation]Authored by: Baird, K.Baird, KW. (2009). Catching my gaze: arenas of exchange in forms of public memory. In
One Day Sculpture an International Symposium on Art, Place and Time(pp. 12 - 13). , ne Day Sculpture an International Symposium on Art, Place and Time: Litmus Research Initiative, School of Fine Arts,
[Conference Abstract]Authored by: Baird, K.Baird, K.(2008, November 3). La Consolation de la Familiar/The Consolation of the Familiar. In
Abstract published in proceedings, France and New Zealand during the Great War / La France et la Nouvelle-Zélande pendant la grande guerre
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, K. (2008, October). Memory and form: The space between. Presented at
Visual Memories Conference. Syracuse University, NY, United States (02 Oct - 04 Oct).
[Conference Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, K. (2008). Memory and form: the space between. In
Abstract published in proceedings, Visual Memories Conference
[Conference Abstract]Authored by: Baird, K.Read Abstract:
Baird, KW.(2008).
The consolation of the familiar. . Le Quesnoy, France
[Conference Paper]Authored by: Baird, K.Baird, KW. (2008). The consolation of the familiar. In
Proceedings of 'France and New Zealand during the Great War' Conference, France and New Zealand during the Great War: University of Waikato
[Conference Abstract]Authored by: Baird, K.Baird, KW.(2008).
Memory and forum: the space between. . Syracuse University, NY, USA
[Conference Paper]Authored by: Baird, K.view less...
Other
Baird, K. (2020, February). Home ground: a ‘comparative history’ examining parallels between selected episodes of New Zealand’s ‘home front’ experience before, during, and after the Second World War through the lens of a contemporary artwork. In
Heavy and Continuous Sacrifice: New Zealand, its Allies and the Second World War conference. Presented at 羞羞视频, Wellington. : New Zealand Military History Committee.
[Oral Presentation]Authored by: Baird, K.Read Abstract:
Phillips, K., & Haddix, M. (2019).
Difficult Memories Symposium. Lender Center for Social Justice, the Greenberg Speaker series, the Atrocity Studies and Practices of Social Justice minor, and the Departments of Communication and Rhetorical Studies and Museum Studies at Syracuse University
[Other]Contributed to by: Baird, K., Ortega Ayala, R.Baird, KW. (2014).
“Stela im Tod sind alle Kameraden” [Stela: all are comrades in death] in "14 – Menschen – Krieg": Essays [essay in exhibition book]
“Stela [Stele]" in "14 – Menschen – Krieg: Katalog" [article in exhibition catalogue]. (pp. 230 - 239). Sandstein Verlag / Militärhistorisches Museum
[Other]Authored by: Baird, K.Baird, KW. (2011).
Contained Memory. 羞羞视频 (NZ) in association with Syracuse University (USA)
[Other]Authored by: Baird, K.Read Abstract:
Baird, K. (2011, March). The Matter of Remembrance. Presented at Department of Anthropology, University College London, United Kingdom.
[Oral Presentation]Authored by: Baird, K.Read Abstract:
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Baird, K. (2011, February). Constructing memorial forms and national identity. Presented at Royal Military Academy, Sandhurst, United Kingdom.
[Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2010).
Contained memory conference 2010 proceedings: Programme and abstracts. (pp. 1 - 84). 羞羞视频, NZ,鈥ㄢ�� Syracuse University, (USA), Museum of New Zealand Te Papa Tongarewa
[Other]Authored by: Baird, K.Baird, K., & Laviolette, P. (2009, September). Community Regeneration & Art Consultancy: Heartlands Case 羞羞视频, Cornwall. In
School of Visual and Material Culture Seminar Series. Presented at 羞羞视频, Wellington, NZ.
[Oral Presentation]Authored by: Baird, K.Read Abstract:
Baird, KW. (2007).
Memory and remembrance. : Material World Blog
[Internet publication]Authored by: Baird, K.Read Abstract:
Baird, KW. (2007).
Memory and Remembrance.
[Internet publication]Authored by: Baird, K.Read Abstract:
Baird, K. (2007).
Memory and Remembrance.
[Internet publication]Authored by: Baird, K. 